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Just a test

Just a test

newyorker:

Calvin Tomkins profiles the Ghanaian-British architect David Adjaye, who was chosen to design the National Museum of African American History and Culture, on the Mall in Washington, D.C. (subscription required): http://nyr.kr/19kuWha

newyorker:

Calvin Tomkins profiles the Ghanaian-British architect David Adjaye, who was chosen to design the National Museum of African American History and Culture, on the Mall in Washington, D.C. (subscription required): http://nyr.kr/19kuWha

(Source: newyorker.com)

newyorker:

Calvin Tomkins profiles the Ghanaian-British architect David Adjaye, who was chosen to design the National Museum of African American History and Culture, on the Mall in Washington, D.C. (subscription required): http://nyr.kr/19kuWha

(Source: newyorker.com)

booklrs asked: Hallo, dit is een test vna mij!

Ja, mooi, eens kijken of het nu werkt. 

Postscript: An Ambitious Take on Conceptual Art and Writing at the Power Plant

Installation view

Installation view of Postscript: Writing After Conceptual Art. Courtesy The Power Plant. Photo: Toni Hafkenscheid

Upon entering Toronto’s Power Plant Contemporary Art Gallery to see Postscript: Writing After Conceptual Art, the viewer is immediately confronted by a raucous wash of sonorous elements. Over fifty artists and conceptual writers occupy the gallery space; canonical works from Andy Warhol, Sol LeWitt, Marcel Broodthaers, Carl Andre, and Dan Graham are nestled among pieces by contemporary practitioners, contributing to the sense of saturation. Originally curated by Nora Burnett Abrams and Andrea Andersson for the Museum of Contemporary Art Denver, the exhibition is divided into five sections—appropriation, transcription, translation, redaction, and constraint—modestly re-adapted in order to suit the gallery’s layout.

Pavel Büchler, Studio Schwitters, 2010

Pavel Büchler, Studio Schwitters, 2010. Sound installation, loudspeakers, table and computer. Courtesy the artist and Max Wigram Gallery, London. Installation view courtesy of the Power Plant. Photo: Toni Hafkenscheid

Falling under the subtext of translation, Pavel Büchler’s Studio Schwitters (2010) is one of the raucous audio elements first encountered in the exhibition: a captivating visual and auditory anchor spanning one of the gallery’s main walls. A response to dadaist Kurt Schwitters’s nonsensical sound poem, The Ursonate (1922–32), a “sonata” predicated on the absence of language, Büchler’s sound installation uses a single laptop and seventy-five horn speakers to distort Schwitters’s poem. Using German text-to-speech software, the poem is translated from text to soundscape. The effect creates further distortion as the sounds are continually fed through the series of speakers; the resultant cacophony emulates a muddy symphony removed from a humanist dialogue through the insertion of the machine yet remains oddly warm and melodic.

oh-myy-glob:

Monroe | via Facebook on @weheartit.com - http://weheartit.com/link/7FK1X6

oh-myy-glob:

Monroe | via Facebook on @weheartit.com - http://weheartit.com/link/7FK1X6

oh-myy-glob:

Monroe | via Facebook on @weheartit.com - http://weheartit.com/link/7FK1X6

"Literature and butterflies are the two sweetest passions known to man."
Vladimir Nabokov (via dollymyfolly)

This is a test. Ignore this :) 

This is a test. Ignore this :) 

Test for my booklr api. Ignore this. Great things are about to happen though.

Test for my booklr api. Ignore this. Great things are about to happen though.

Henry Miller on Knut Hamsun

Henry Miller on Knut Hamsun

Henry Miller on Knut Hamsun

Knut Hamsun

Knut Hamsun

Knut Hamsun

Knut Hamsun - Hunger: A Novel

Knut Hamsun - Hunger: A Novel

Knut Hamsun - Hunger: A Novel

Knut Hamsun - Hunger: A Novel

Knut Hamsun - Hunger: A Novel

Knut Hamsun - Hunger: A Novel

Our last post that finishes a series of excerpts from The Dreamers

Our last post that finishes a series of excerpts from The Dreamers

Our last post that finishes a series of excerpts from The Dreamers

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